Posted on September 8, 2009 - by Ellie Crean
Humbug!
Humbug, the third album from Sheffield band Arctic Monkeys takes a step away from tales of a “Lad’s night out” set to a tune of indie rock (although this is something that they were undeniably masters of).
Instead this has been exchanged for a much darker, grittier tone as showcased on album opener My Propeller.
Sliding guitars, such as on first single “Crying Lightning” are a running feature as are pounding, military-style drums – most distinctly on “Potion Approaching”. Alex Turner’s vocals sound deep and whispering throughout the album and often slightly muffled. Combined with heavy basslines that have been brought more to the forefront of the music a slightly garage rock feel, reminiscent of The Strokes, is created. This is courtesy of producer Josh Homme (Queens of the Stoneage) whose style and influence is clear throughout.
The music as a whole on Humbug has become more detailed and structurally crafted with switches between tempos and follows more unpredictable paths compared to its predecessors. Pretty Visitors is the best example of this, where fast-paced drumming and spitting vocals morph into slow, haunting harmonies entwined with an eerie organ.
Another notable progression is the change in lyrics which are deeper, darker more mature and riddled with metaphors and unusual synonyms. However, there are still a couple of ballads – as on the previous two albums – telling tales of broken hearts and unforgettable exes (Cornerstone) showing Turner’s romantic, vulnerable side.
Humbug may disappoint those hoping for more of the same accessible, singalong-style songs but this album confirms and elevates Arctic Monkeys’ status as one of the greatest British bands of this generation. Anyone who previously had them down as just another indie band, or refused to acknowledge their importance will be forced to sit up and take notice with Humbug.
Arctic Monkeys – “Crying Lightning”
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